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These critical reactions might indicate that modern efforts to re-define gender conventions are doomed, if not to failure then to infinite levels of complexity. The offending character is Police Officer Specter, voiced by actor Lena Waithe, who has spoken of her delight at playing Pixar’s first openly gay role. It cannot now be shown in Kuwait, Oman, Qatar or Saudi Arabia, according to showbusiness journals.
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“The fractious bond between the brothers and their aching anger at the loss of a parent are evoked with exquisite sorrow and clarity,” wrote the Observer’s Wendy Ide.īut several Middle Eastern countries have since balked at Onward’s liberal sensibilities, and more specifically at its casual acceptance of homosexuality. It tells of two elf brothers in their teens, voiced by British star Tom Holland and Chris Pratt, who live in a magical version of suburbia and who are struggling with the death of their father.ĭirector Dan Scanlon’s film topped the American box office chart on its opening weekend, raking in £30.5m, and it has won praise for its honest handling of male emotional blockages. According to Natterson they need more emotional and physical reassurance than we ever realised.Ĭertainly this is one of the main messages to take away from Pixar’s latest family hit, Onward. It also argues that teenage boys should not be allowed to retreat into monosyllabic and fleeting family interactions. The New York Times has judged it a good guide for all parents of boys and praised its “zippy, big-hearted” tone as it explains that puberty starts much earlier in boys than we used to think.
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In Natterson’s book, which has the subtitle, New Science Behind the Subtle Art of Raising Sons, a series of useful bits of advice have been crafted from the author’s long practical experience as a paediatrician. Quite the contrary: the definition of masculinity seems to be in some respects contracting.” It made Orenstein wonder if parents have been looking the other way for too long: “Feminism may have provided girls with a powerful alternative to conventional femininity, and a language with which to express the myriad problems-that-have-no-name, but there have been no credible equivalents for boys. What she found was that when these intelligent young men were asked to describe “the ideal guy”, they frequently “appeared to be harking back to 1955”. Before writing, she took two years out to talk to boys across America, mostly college-bound and between the ages of 16 and 21.
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Orenstein’s book, which has the full title Boys & Sex, Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity, is a follow-up to her 2016 hit, Girls & Sex, and its frank attitude to discussing sex means it is likely to appeal well beyond academic circles. He also felt that Orenstein’s choice to study young white “jocks”, or college sportsmen, had skewed her results: “Had she spoken with members of the debate team, for instance, or the drama club, or the school band, she might have opened a window to a very different landscape.”ġ9:05 How does porn impact men? | Modern Masculinity
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Defining any social group, including young men, by its extremes is wrong, he argues.Īnother male critic, who wrote in from Chicago in response to an article by Orenstein in The Atlantic, suggested that symptoms of “ toxic masculinity” tend to be shrugged off by men as they grow up. By concentrating on examples of poor, insensitive male behaviour, Stanton believes the findings of the authors are just fuelling calls for current ideas of manhood to be ripped up and chucked away. Writing angrily in the conservative online magazine The Federalist, Glenn T Stanton alleges that Orenstein and Natterson’s books have only been welcomed by the liberal press, as represented by The Atlantic magazine, because they appear to support the idea that “toxic masculinity” is running rampant. The aims of these twin examinations of modern boyhood sound pretty laudable, but they have already prompted accusations of bias and a suspicion that they’re designed to berate men, rather than help them. The author Peggy Orenstein found that boys’ idea of ‘the ideal guy’ harked back to the 50s.